THE TRUE ORIGINS OF UNIVERSAL SCIENCE

The True Origins of Universal Science
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There is something about seeking the origins of history. Finding the truth about how rich Afrika was before it was invaded.
Many have tried to defile Afrika's rich knowledge. Yet we can see in this time, how she has infected the world's belief system.

Through many venues, but especially through their universal science belief. The world knows which is why we all can find witness of this is U.S. Currency. The Image of the pyramid and the all seeing eye.







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The Temple of Hathor at Dendera, Egypt.
By David Roberts, 1841.

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People came from all over the world to Africa. Some to learn, some to steal. Ultimately, the world benefited from Afrika's, uniqueness and their philosophies.

Afrikan / Egyptian science reinforces the idea that some of the wall carvings were indeed enforcing the ideal of transmission of electromagnetic forces.
Every symbol represented something.


Did Afrikan science offer both a scientific and esoteric purpose?
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The ancient Egyptians had many advanced scientific technologies, with much being found in picture form and in three-dimensional models throughout Egypt. Themes reflecting scientific knowledge and achievement can be found throughout the world in various ancient civilizations. These teachings seemed to center on electromagnetic energies.

Scenes depict scientists of that timeline able to work in fields of alchemy, biology, chemistry, dentistry, anesthesiology, air flight, and the electromagnetic energies of the Great Pyramid among other sacred sites - how that link together and to the sacred geometry that forms our universe. Much of the interpretation is left to those in our timeline to decipher.


Rare squared form of tet, at left. The heavy animal may be a ancient symbol for heavy electrons; the squaring may be an ancient way of referring to water. The tet might employ magneto hydrodynamic principles like ancient Egyptian and modern transportation technology, but it may employ it in obtaining energy from certain materials as well.

The study of science and medicine were closely linked to religion as seen in many of the ancient rituals. The "pouring" and "anointing" we see in so many Egyptian works is the application of electromagnetic forces and not the application of actual fluids. Much of this was linked with 'magic' of some sort - as many unexplained things did occur. These were often considered miracles.



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This image implies that something poured into the planet could cause spontaneous growth. The "pouring of water or an offering" and the outlandish angles at which it is being done tends to make it one of countless scenes reinforcing the idea that such scenes are instead showing the migration or transmission of electromagnetic forces. Every sacred symbol - linked to the gods - had a scientific as well as an esoteric purpose.
















The cathode-ray tube or "Crookes' tube" like object depicted in scenes from the temple of Hathor at Dendera may depict a relativistic source of these heavy electrons - which could drastically expedite the magical processes which involve these particular tubes.

The walls are decorated with human figures next to bulb-like objects reminiscent of oversized light bulbs. Inside these "bulbs" there are snakes in wavy lines. The snakes' pointed tails issue from a lotus flower, which, without much imagination, can be interpreted as the socket of the bulb. Something similar to a wire leads to a small box on which the air god is kneeling. Adjacent to it stands a two-armed djed pillar as a symbol of power, which is connected to the snake. Also remarkable is the baboon-like demon holding two knives in his hands, which are interpreted as a protective and defensive power.

In his book The Eyes of the Sphinx, Erich Von Däniken writes that the relief is found in "a secret crypt" that "can be accessed only through a small opening. The room has a low ceiling. The air is stale and laced with the smell of dried urine from the guards who occasionally use it as a urinal." The room is not so secret, however, as many tourists visit and photograph the room every year. Von Daniken sees the snake as a filament, the djed pillar as an insulator, and claims "the monkey with the sharpened knives symbolizes the danger that awaits those who do not understand the device." This "device" is, the reader is assured, an ancient electric light bulb.


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Gold Washing in Ancient Egypt

Crivelli has more recently advanced the theory that the gold symbol is the conventional sign for a portable furnace used for the fusion of gold, and that the rays represent the flames, which, 'as can be observed in the use of this type of furnace, are unable to ascend because the wind inclines them horizontally'.

In the later dynasties, the Egyptians themselves forgot the original significance of the sign and drew it as a necklace with pendent beads. Elliot Smith however says that this was the primitive form and became the determinative of Hathor, the Egyptian Aphrodite, who was the guardian of the Eastern valleys where gold was found.




Egyptian Goldsmith Workshop in the Pyramid Age

The gold mines in Nubia and other parts of the Egyptian empire seem to have been very efficiently designed and controlled, though with a callous disregard for the human element employed.

Alluvial auriferous sand was also treated, a distinction being made between the gold obtained in this way and that extracted from the mines. The latter was called nub-en-set, i.e. gold of the mountain, while alluvial gold was named nub-en-mu, i.e. 'gold of the river'. Auriferous sand was placed in a bag made of a fleece with the woolly side inwards; water was then added and the bag vigorously shaken by two men. When the water was poured off, the earthy particles were carried away, leaving the heavier particles of gold adhering to the fleece. There is a picture of this operation on one of the buildings at Thebes.

Mercury

Mercury (Greek-hydra gyros, liquid silver; latin-argentum vivum, live or quick silver) is stated to have been found in Egyptian tombs of from 1500-1600 B.C.

Metal and Mysticism

In the early centuries of our era, however, there gradually developed a mysticism among chemical writers due to Egyptian and Chaldean religious magical ideas, and there developed a fanciful relation of the metals as such to the sun and the planets, and as a consequence there arose the belief that it was necessary to confine the number of metals to seven.

Thus Olympidorous-in the 6th century of our era gives the following relation:

Gold - The Sun
Silver - The Moon
Electrum - Jupiter Iron - Mars
Copper - Venus
Tin - Mercury
Lead - Saturn

Metallurgy was by no means the only art practiced with conspicuous success by the ancient Egyptian craftsmen. Glass was almost certainly the invention, not of the Phoenicians, but of the Egyptians, and was produced on a large scale from a very early date.