KEMETIC SCIENCE

KEMETIC SCIENCE
Positive Progress Through The Benevolent Use Of Knowledge

Thursday, June 19, 2014

Juneteenth Black History Facts Middle Passage

Today is Juneteenth, On this day in U.S. slavery, Union soldiers arrived to liberate enslaved Blacks in Galveston, Texas who had been held in captivity nearly two and half years after President Lincoln signed the Emancipation Proclamation. While Black Texans and others across the country have been celebrating Juneteenth since 1865, we've found that some of our folks (especially in the North) are rather quiet about the holiday.
Today Juneteenth commemorates African American freedom and emphasizes education and achievement. Read more at EBONY http://www.ebony.com/black-history/its-juneteenth-are-you-celebrating#ixzz358cJQUs4 Follow us: @EbonyMag on Twitter | EbonyMag on Facebook

Tuesday, February 26, 2013

Multiple Ancient Pyramids Discovered in Sudan

A series of pyramids and graves that a team of archaeologists has been exploring at Sedeinga in Sudan. Since 2009 they have discovered at least 35 small pyramids at the site, the largest being 22 feet (7 meters) in width. Although the tops are not attached, the base of the pyramids can be seen. The pyramids date back around 2,000 years. "The density of the pyramids is huge," Francigny, a research associate with the American Museum of Natural History in New York, told LiveScience. “Because it lasted for hundreds of years they built more, more, more pyramids and after centuries they started to fill all the spaces that were still available in the necropolis." Eventually, Francigny says, the residents of Sedeinga simply ran out of room for more pyramids. "They reached a point where it was so filled with people and graves that they had to reuse the oldest one," Francigny said. Sedeinga is located on the Nile River in Sudan. According to Francigny, “The site was initially known for the remains of the Temple of Queen Tiye, great royal wife of Amenophis III. This romantic ruin with its unique miraculously standing column is unfortunately too fragile to enable excavations to take place without an expensive restoration of the pulverulent blocks of sandstone.” Francigny plans to continue his work at Sedeinga throughout 2013 as a part of a four-year research plan.They date back around 2,000 years to a time when a kingdom named Kush flourished in Sudan. Kush shared a border with Egypt and, later on, the Roman Empire. The desire of the kingdom's people to build pyramids was apparently influenced by Egyptian funerary architecture. At Sedeinga, researchers say, pyramid building continued for centuries. "The density of the pyramids is huge," said researcher Vincent Francigny, a research associate with the American Museum of Natural History in New York, in an interview with LiveScience. "Because it lasted for hundreds of years they built more, more, more pyramids and after centuries they started to fill all the spaces that were still available in the necropolis." [See Photos of the Newly Discovered Pyramids] ----------The biggest pyramids they discovered are about 22 feet wide at their base with the smallest example, likely constructed for the burial of a child, being only 30 inches long. The tops of the pyramids are not attached, as the passage of time and the presence of a camel caravan route resulted in damage to the monuments. Francigny said that the tops would have been decorated with a capstone depicting either a bird or a lotus flower on top of a solar orb. The building continued until, eventually, they ran out of room to build pyramids. "They reached a point where it was so filled with people and graves that they had to reuse the oldest one," Francigny said. Francigny is excavation director of the French Archaeological Mission to Sedeinga, the team that made the discoveries. He and team leader Claude Rilly published an article detailing the results of their 2011 field season in the most recent edition of the journal Sudan and Nubia. The inner circle Among the discoveries were several pyramids designed with an inner cupola (circular structure) connected to the pyramid corners through cross-braces. Rilly and Francigny noted in their paper that the pyramid design resembles a "French Formal Garden." Only one pyramid, outside of Sedeinga, is known to have been constructed this way, and it's a mystery why the people of Sedeinga were fond of the design. It "did not add either to the solidity or to the external aspect [appearance] of the monument," Rilly and Francigny write. A discovery made in 2012 may provide a clue, Francigny said in the interview. "What we found this year is very intriguing," he said. "A grave of a child and it was covered by only a kind of circle, almost complete, of brick." It's possible, he said, that when pyramid building came into fashion at Sedeinga it was combined with a local circle-building tradition called tumulus construction, resulting in pyramids with circles within them. story; LIVE SCIENCE & CBS NEWS

Thursday, December 15, 2011

THE MAYAN COSMIC SAP

William Henry

Scientists say to open wormholes we’ll need a particle accelerator. To keep them open will require something referred to as “exotic matter” or “dark matter”. Scientists at CERN near Geneva, Switzerland are working on discovering its secrets. I toured the high-energy physics lab after my France tour.

Scientists at CERN are in a race with Fermilab, in Batavia, Ill. to discover the God Particle, a fundamental, but elusive, sub atomic particle that is given divine proportions by its moniker, the God Particle, and dark matter, the invisible, enigmatic substances that together are thought to comprise 96 per cent of the mass of the universe.

Scheduled to begin operation in May ’08, I believe CERN is on a path to discover what the Mayans described as a ‘blessed substance’ or ‘sap’ they called itz (literally ‘the blessed substance’).

The Mayans said Itz comes out of a cosmic tree, an alignment (or cross) of stars and planets, as for example, the 2012 galactic alignment we are presently experiencing. Usually, when one thinks of ‘sap’ they’re thinking of a watery liquid nutrient that circulates through the conducting tissues of a plant or tree (that or a person who acts like an idiot). However, when

I Googled ‘cosmic sap’ I found that ‘sap’ is also an acronym for ‘sub atomic particle’ (or sap). Hmm. Are the Mayans describing a ‘blessed sub atomic particle’ that will appear in 2012, give or take year or two? Is this the same as the God Particle? I think so.

Simulation of the decay of the God Particle in the CMS detector at CERN


Fermilab’s newsletter features a logo with a stylized simulation of the God Particle



I was inspired to superimpose the God Particle logo over the Transfiguration painting. They’re a perfect match!



First imagined in the 1960s by a British physicist, Peter Higgs, the God Particle (aka ‘the Higgs Boson’) is thought to exist in an all-pervading field, giving all other particles their mass. Discovery of it will enable us to graduate from cosmic kindergarten, so to speak, to first grade.


The Egyptians called this ‘all pervading field’ the Field of Aaru, or ‘the Dimension of the Blessed’. For insight into this Blessed Dimension see my book and DVD presentation, Starwalkers and the Dimension of the Blessed.

Wednesday, October 19, 2011

In The Fields of the Blessed

Do the Reeds of Papyrus on the Banks of the Nile Hold the Secrets of Hidden Dimensions?


BY WILLIAM HENRY


“The doors of the sky are opened, the doors of the firmament are thrown open at dawn for Horus of the Gods. He goes up to the Field of Reeds, he bathes in the Field of Reeds.”—Utterance 325, Pyramid Text.








In numerous ancient traditions there is a description of a hidden and blessed place linked by a chain of symbols, a repetition of place names (the Reed Place), and references to this place as a door to a parallel dimension. As I docu­ment in my book, Starwalkers and the Dimension of the Blessed, whether we look to the Mayans, the Egyptians, the early Christians, or the Holy Grail legends, we find a recollection of an essential teaching about this ‘blessed’ place.



For instance, in the ancient Egyptian records of Amenta, the “Hidden Place,” we learn of two mounts. Atop the higher mount we find the gate to the Field of Reeds, also known as the Aarru Fields of Heaven. Aarru means “blessed”. The ancient Egyptian’s direct experiences of this blessed realm are recorded in texts and in scenes on tem­ple walls.


Ancient traditions the world over are also loaded with stories about beatified beings that travel between our world and the blessed realm. Sages, shamans and bodhisattvas who used spiritual technology—dreams, visions, hallucino­gens, remote viewing—to expand consciousness to explore this realm left us these descriptions. They who learned about it also spent much of their lives preparing spiritually to enter it.


In Lost Secrets of the Sacred Ark, Laurence Gardner makes a valuable contribution to the understanding of this “Field” (plane, zone) by declaring that Aaru is also called the Dimension of the Blessed. Science fiction TV shows and movies often mention the concept of dimension. In the common mind this word connotes parallel universes, alter­nate universes and planes of existence. Was the ancient mind also tuned to the concept that one could travel to paral­lel/alternate universes/planes/fields? As many stories say (and physics theorizes), these universes are closer to us than we realize.


Hesiod called this dimension the Isle of the Blessed and the Elysium. Those mortals who were fortunate enough went to dwell on the Blessed Isle for eternity. Elysium was an “Apple-land,” like Avalon or Eden.



In the Aeneid, Virgil referred to it by additional names, including “Land of Joy,” “the Fortunate Wood” and the “Home of the Blessed.” It is claimed to have been located on the White Island, which was called Leuke or Leuce, a word that is very close to Luc, which means light. In the apocryphal Book of Enoch, Enoch, the prophet who walked the stars with God, speaks of proceeding to ‘the middle of the earth,’ where he beheld a ‘blessed land,’ ‘happy and fer­tile.’ An angel shows him ‘the first and last secrets in heaven above, and in the depths of the earth: In the extremities of heaven, and in the foundations of it, and in the receptacle of the winds.’ Jesus also descended to what some believe to be the ‘inner earth’ between his crucifixion and resurrection.













The Field of the Blessed resonates to the Christian ideal of the Kingdom of Heaven. They share the same message. Jesus urged us to “go within” to seek it. … and to not stop seeking until we find the truth. Only then will we be free.



Those with a blessed heart, Jesus said, will see this kingdom. In addition, in the Pistis Sophia he is more direct, saying: “Cease not to seek day and night and remit not yourselves until ye find the purifying mysteries which will purify you and make you into a refined light, so that you will go on height and inherit the light of my kingdom.” It appears that the wisdom taught to Enoch in the ‘inner earth’ may have had something to do with transforming him­self into a being of light preparatory to entering the dimension of the blessed.


The Afterlife Journey


Among the primary source materials for the Greek and Roman tales about the Field of the Blessed, and I believe Jesus’ statements, is the Book of the Amduat (or Tuat). This Egyptian text began appearing c. 1500 B.C. It describes the after-life journey of the initiated pharaoh to the Field of the Blessed (Aarru), the netherworld kingdom ruled by Osiris, where all the wishes of the deceased would be fulfilled.



The Egyptian Pyramid Texts, which provide instruction about the afterlife, are also loaded with references to the Field of the Blessed. Another Egyptian source is the Edfu Texts written in stone on the walls of the Temple of Horus, the Sun-god, at Edfu, Egypt, which was constructed around 250 B.C., but whose sources are much older. The walls of this temple feature the story of the arrival of sages from the stars who created a civilization beside a Field of Reeds.




In Egypt, the papyrus reeds grow abundantly along the banks of the Nile. Intriguingly, Byblos is the Greek word for papyrus. Bible comes from byblos. Our English word “paper” is derived from the word “papyrus,” an Egyptian word that originally meant “that which belongs to the house” (the bureaucracy of ancient Egypt). The Egyptians used the reed and triangular shape (when viewed in cross section) as a metaphor for many aspects of life. The pyramids at Giza, sometimes referred to as the Bible in Stone, are magnificent examples of this metaphor.




In Egyptian hieroglyphs, a rolled papyrus made from the papyrus reed is the symbol for knowledge. A roll of papy­rus symbolized the unfolding of life itself. Correspondingly, writing utensils were originally made of reeds. Thoth, the Egyptian god of divine magic and alchemy, is shown writing with a reed pen. Hence, the reed simply and elegantly symbolizes also wisdom. Perhaps this is why reading is fundamental to acquiring wisdom.




The metaphor of the reed continues in the afterlife Field or Place of Reeds where it signifies the unfolding of life in a finer realm, along the heavenly Nile, the Milky Way. Interestingly, the Hopi, ancient inhabitants of America, who reside in northern Arizona, use the word Songwuka, literally “the big reed,” for the Milky Way. This is strange. Bam­boo grows in tropical areas, not arid Arizona. Had the Hopi somehow heard the tales of the reed from tropical Egypt or Canaan, the land across the ocean or from elsewhere? From afar, our home galaxy is a whirling white or light is­land of stars in the ocean of life. Is the bright center of the Milky Way the Field of Reeds at the center of the heavenly Nile? Is our galaxy’s black hole a gateway to another dimension?



Time and again we see paintings of priests and priestesses sailing on the waters of the heavenly Nile in the Blessed Field of Reeds. They are sailing the stars of the river of life, the Milky Way. The early 20th century British egyptologist Wallis Budge explains: “The Egyptians…from the earliest days… depicted to themselves a material heaven wherein Isles of the Blessed were laved by the waters of the Nile…others again lived in imagination on the banks of the hea­venly Nile, whereon they built cities; and it seems as if the Egyptians never succeeded in conceiving a heaven without a Nile…”



The gods traverse the Field of the Blessed upon boats of eternity (which, by the way, precisely match the way mod­ern science portrays a wormhole). Occasionally, they ascend and descend upon sky ropes, vines, and pillars. A key Egyptian symbol, the Djed pillar (also written TET), was originally made of papyrus reeds bundled together and was connected to the mother goddess, Hathor, and to Osiris, the Lord of the Eternity and the Field of the Blessed. The raising of the Djed was a symbol of the king’s ascent to the sky, the heavenly Nile, for it was thought of as the world pillar or ladder that connects the earthly realm with the heavenly Field of Reeds. As such, it was a multidimensional symbol. Its function suggests that a tether—a rope or cord that fastens two poles together—is also involved.



In the East the reed, which sprouted from the universal waters, stands for manifestation and equates with the lo­tus. It is the earliest stalk or tree of ascent. The Babel builders knew it well.



The Old Testament story of Moses parting the Red Sea (or properly the Reed Sea) with the Rod of God corresponds with the Egyptian ideas about the Field of Reeds and the Djed. As such, the story of parting of the Reed Sea is easily interpreted as an allegory for the opening of the Field or Dimension of the Blessed.


CANA


It is highly significant that Cana (‘reedy’) is the place where Jesus performed his first miracle, turning water into wine at a (his?) wedding feast, demonstrating his magical ability to interact with the other dimensional sacred reali­ty… or to alter this one. In early Christian art Jesus, in the role of the Redeemer (phonetically reed-e-mer), is repeat­edly shown performing this miracle, and all the others, with a rod or wand in his hand. What is this wand? Where did he get it? What is the rod made of? What happened to it? I’ve wondered about this for a very long time.


The reed symbol next reappears as a prominent tool in the crucifixion, first subtly, then overtly. After Pilate washed his hands of Jesus, the soldiers of the governor took Jesus into the common hall, and they stripped him, and put on him a purple robe, symbolic of royalty and sovereignty.


After putting the purple robe on Jesus, “they [had] platted a crown of thorns, they put [it] upon his head, and a reed in his right hand: and they bowed the knee before him, and mocked him, saying, Hail, King of the Jews!”

Next, “they took the reed and smote him on the head”.


Finally, a “reed” on which was put the sponge filled with vinegar was raised to Jesus’ mouth. They said, “Let’s see if Elias (Heb. ‘Eliahu, “Yahveh is God” also called Elijah) comes to save him.” And Jesus gave up the ghost.



Like Enoch, Elias was “translated,” so that he should not taste death. He became a starwalker. He was last seen talking with his spiritual son Eliseus on the hills of Moab when, “a fiery chariot, and fiery horses parted them both asunder, and Elias went up by a whirlwind into heaven.” In effect, the Romans are saying, “let’s see if Elijah comes out of the whirlwind to save him.” It appears the whirlwind (symbol of a vortex) and the reeds (symbol of another di­mension) are entwined symbols.



Based upon the spotlighting of the reed symbol in the Passion of Jesus it is clear to me now that his rod was likely a ‘reed’ rod or wand that conducted the rays and radiations, the song of the Dimension of the Blessed. By portraying Jesus as a magician (or musician) with his reed wand the early church (A.D. 1st-2nd century) returned to him his power symbol or tool, which was turned against him by the Romans. This ‘reed wand,’ I propose, is the Holy Grail.

Intriguingly, the Holy Grail tradition kept the memory of the blessed place alive. For instance, Avalon is some­times referred to as the legendary location where Jesus visited the British Isles with Joseph of Arimathea and was lat­er the site of the first church in Britain. This church, known as the Wattle Church, was composed of reeds—a reed church.

Joseph of Arimathea revived the ancient tradition of symbolizing the Church by a reed.

One of the first of the Holy Grail romances was a poem called The Tale of the Grail, written by the French poet Chretien de Troyes around the year 1190. Curiously, introducing the book Chretien says he got the story from an old­er book given to him by his patron. He refers to the Grail Castle as the White Castle. Another Grail Romance, now known as the Didot Perceval, refers to it as “the White Castle in the White Town.” Another anonymous Grail author attempted to advance Chretien’s Tale of the Grail and stated that the White Town is in a region called “the White Land.” Yet another grail tale written around the time of the twelfth century, the Welsh story called Peredur, adds the incredible detail that the White Land is an area situated in the “Old Marshes” or… Old Reeds.

The reed symbolism reappears in the word Canon-ization, the ultimate act of consciousness in the Christian tra­dition. This is when one becomes a saint, effectively dividing or setting oneself apart from the rest of humanity.

According to some writers, the origin of beatification (becoming a blessed one) and canonization in the Catholic Church is to be traced back to the ancient pagan apotheosis: Deification, the exaltation of men to the rank of gods, or god making. The apotheosized are translated, like Elijah, to heaven—presumably in a whirling vehicle—and become starwalkers.

In Acts 2:4 the apostles were recognized as canonized when a “flame of invisible light,” a lamp, appeared on top of their heads (as it did on the Buddhist bodhisattvas). This flame streaming from their heads signified super­intelligence and illumination.

Webster’s says the word can-dor, honesty in expressing oneself, comes from candere, to shine. This is also the root of candle. In early Christian history, those who had received baptism were called illuminati and were given a lighted taper as a symbol of their spiritual enlightenment. It is easy to see why a lit candle symbolizes ‘Christ,’ the light… of the Field of Reeds or the Dimension of the Blessed.

Whether spelled Canaan, Cana, Canon, Kanon, Kan or Kenon this word-vibration refers ultimately to the most mystical of paths, the one leading to the Field of Reeds, the Dimension of the Blessed. In one of those ironic twists of history the word Canon was applied cannon, a weapon, and to an ecclesiastical law or code of laws established by a church council and to scriptures ratified (adopted as law) by the church. The books of the Bible officially accepted as Holy Scripture are known as the Canon.



Ironically (or perhaps not), in the collective consciousness of the 21st century the Cana word-vibration is most closely associated with a space port. I speak, of course, of the Kennedy Space Center and Cape Canaveral (Spanish for “Cape of Canes or Reeds”), where many space shuttle launches take place. Though the place was named 400 years be­fore NASA came along Canaveral, rings of its purpose: the connecting place to the blessed Field of Reeds. Humorous­ly, its telephone area code is 321.


From the ancient to the modern world the reed place has meant the same thing. Now you know the rest of the story.




Hotep*

Sunday, October 2, 2011

Origins Pt 2

Spell 125 in the Book of the Dead provides what Egyptologist refer to as the "negative confession" or "declaration of innocence" so that the deceased could announce his innocence before the forty-two who were the assessors that judged the dead in the netherworld Hall of Justice, also known as the "Hall of the Two Truths". Hence, this spell takes the form of an address to each of these "judgment gods", who is named along with the specific plea before each god. These names of these gods were listed, together with an identification that was either a geographical region or some other identifying characteristic.

 

The tribunal of assessor gods is frequently depicted in the illustrations accompanying Chapter 125 of the Book of the Dead, though only occasionally are all forty-two gods represented at once. More commonly, a representative selection of the gods is made, normally in the squatting position common to "seated god" hieroglyph, or standing. Sometimes they may hold knives, and at other times the feathers of ma'at as symbols of their judicial power.

 



Above and Below, from Chapter 125 of the Book of the Dead in the Papyrus of Ani

 

 



 

These forty-two gods apparently were believed to judge all forms of evil, though some might overlap to some extent. For example, two gods represented robbery and stealing, respectively, but apparently stealing offerings, food and bread specifically each deserved the attention of an individual member of the tribunal. It is my guess this is also where the catholic church got the ideal of the Confession booth. The forty two gods where in confessor chambers lined in a row.

Origins

Origins

Some historians believe that the Ten Commandments originated from ancient Egyptian religion, and postulate that the Biblical Jews borrowed the concept after their Exodus from Egypt. Chapter 125 of the Book of the Dead (the Papyrus of Ani) includes a list of things to which a man must swear in order to enter the afterlife. These sworn statements bear a remarkable resemblance to the Ten Commandments in their nature and their phrasing. These statements include "not have I defiled the wife of man," "not have I committed murder," "not have I committed theft," "not have I lied," "not have I cursed god," "not have I borne false witness," and "not have I abandoned my parents." The Book of the Dead has additional requirements, and, of course, doesn't require worship of YHWH

Monday, August 15, 2011

EGYPT'S LOST FLEET ( FOUND)


The discovery of an ancient harbor on the Red Sea proves ancient Egyptians mastered oceangoing technology and launched a series of ambitious expeditions to far off lands.









A relief at the temple of the female pharaoh Hatshepsut in Luxor, Egypt, carved ca. 1480 B.B., shows a merchant ship on a trading expedition. Vessel artifacts match this depiction.

The scenes carved into a wall of the ancient Egyptian temple at Deir el-Bahri tell of a remarkable sea voyage. A fleet of cargo ships bearing exotic plants, animals, and precious incense navigates through high-crested waves on a journey from a mysterious land known as Punt or "the Land of God."

The carvings were commissioned by Hatshepsut, ancient Egypt's greatest female pharaoh, who controlled Egypt for more than two decades in the 15th century B.C. She ruled some 2 million people and oversaw one of most powerful empires of the ancient world.


The exact meaning of the detailed carvings has divided Egyptologists ever since they were discovered in the mid-19th century. "Some people have argued that Punt was inland and not on the sea, or a fictitious place altogether," ( Oxford Egyptologist John Baines says.

Recently, however, a series of remarkable discoveries on a desolate stretch of the Red Sea coast has settled the debate, proving once and for all that the masterful building skills of the ancient Egyptians applied to oceangoing ships as well as to pyramids.



Archaeologists from Italy, the United States, and Egypt excavating a dried-up lagoon known as Mersa Gawasis have unearthed traces of an ancient harbor that once launched early voyages like Hatshepsut's onto the open ocean.

Some of the site's most evocative evidence for the ancient Egyptians' seafaring prowess is concealed behind a modern steel door set into a cliff just 700 feet or so from the Red Sea shore. Inside is a man-made cave about 70 feet deep.

Lightbulbs powered by a gas generator thrumming just outside illuminate pockets of work: Here, an excavator carefully brushes sand and debris away from a 3,800-year-old reed mat; there, conservation experts photograph wood planks, chemically preserve them, and wrap them for storage...